Author Archives: Wayne Horkan

About Wayne Horkan

I’m a technologist and engineer, typically working in enterprise architecture and systems engineering.

Things to do in Helsinki while at Slush: A Balance of Work and Exploration in November

With the Slush conference drawing entrepreneurs and innovators from around the world, Helsinki in November is a fascinating city to explore. While my primary focus will be on networking and attending sessions, I can’t help but plan for some downtime to experience what this Nordic capital has to offer. Though I know time will be limited, it’s always good to dream a little.

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The History of the Slush Conference: From Local Startup Event to Global Innovation Platform

Slush, one of the world’s leading startup and tech conferences, has grown from a small gathering of Finnish entrepreneurs to a global movement fostering innovation, entrepreneurship, and investment in startups. Held annually in Helsinki, Finland, Slush has become a must-attend event for entrepreneurs, investors, and tech enthusiasts from across the globe. The journey of Slush from its humble beginnings to its current status as a global innovation hub is a fascinating story of vision, community, and passion for technology.

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Myth of the West: Failed Utopia

This article, the culmination of my reflections on the myth of the West, deconstructs the utopian dream of the Western frontier, exploring its evolution from Manifest Destiny to Silicon Valley. Through historical analysis, literary critiques, and a look at Hollywood’s portrayal of the West, it examines how the promise of freedom and opportunity often fell short, revealing the complexities of the Western ideal. For me, this myth resonates deeply, intertwined with personal influences like Celtic romanticism, family legacies, and cross-cultural inspirations from Kurosawa.

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Myth of the West: The Age of Film

This article examines the evolution of Western cinema through different “ages,” based on Alex Cox’s model of Traditional, Gritty, and Comedic Westerns, and explores whether additional phases—like the Neo-Western and Hybrid Western—might add depth to this framework. From the straightforward morality of early Westerns to the genre-blending explorations of the modern era, we trace the key films and themes that defined each age, examining how the Western has adapted to reflect changing societal values and cinematic tastes.

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Myth of the West: The Influence of Pulp Magazines and Dime Novels

Explore how pulp magazines and dime novels of the 19th and early 20th centuries popularized the Western myth, creating iconic characters and moral archetypes that would shape the genre. Discover the roots of cowboy legends and the role these stories played in building America’s frontier mythology.

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Myth of the West: The Myth of the Myth of the West – The Western Lands

This article delves into the concept of “The Western Lands” as an enduring myth across cultures and eras. Using William S. Burroughs’ The Western Lands as a springboard, it explores ancient mythologies, from Celtic voyages and Arthurian legends to Greek Elysium and Tolkien’s Undying Lands. Through these interpretations, the Western Lands emerge as symbols of humanity’s deepest longings for transcendence, ultimate peace, and the mysteries that lie beyond the known world.

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Myth of the West: The Role of Native Americans in the Myth of the West

This article investigates the shifting portrayals of Native Americans within the Western genre, from early stereotypes to complex characters. Understand how these representations reflect changing cultural attitudes and the growing recognition of Native perspectives in the Western narrative.

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Myth of the West: Women in Westerns… from Side Characters to Central Figures

This article examines the evolving role of women in Westerns, from passive side characters in early classics to empowered protagonists in modern films and literature. Discover how women have moved from the margins to the centre of the Western myth, redefining traditional roles and adding complexity to the genre.

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Myth of the West: Cinematic Landscapes and the American West

Discover the importance of landscape in Western cinema, where the vast, untamed wilderness of the American West acts as a character in itself. From Monument Valley to desolate deserts, this article delves into how Western filmmakers have used the environment to enhance themes of freedom, isolation, and moral conflict.

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Myth of the West: How the Western Influenced Other Genres

The influence of the Western genre extends far beyond the frontier. This article explores how Western themes, characters, and moral conflicts have shaped genres such as sci-fi, neo-noir, and anime, showing the versatility and enduring appeal of the Western myth.

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Myth of the West: The Western as National Myth and Propaganda

The Western genre has been more than entertainment—it’s served as a powerful tool for American identity and propaganda. Uncover how the Western myth has shaped perceptions of American values, from Manifest Destiny to Cold War patriotism, and how it continues to reflect and critique the nation’s ideals.

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Myth of the West: The Decline and Resurgence of the Western

Follow the Western genre’s journey through its decline in the late 20th century to its resurgence in the 1990s and beyond. This article explores why the Western fell out of favour and how filmmakers and authors revitalized it to reflect contemporary values and complexities.

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Myth of the West: Shifting Perceptions of Morality and Justice

From the straightforward moral binaries of early Westerns to the complex ethical questions in revisionist films, this article delves into how the Western’s portrayal of justice has evolved. Discover how the Western has responded to shifting societal values, offering insight into the nature of law, order, and justice.

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Myth of the West: The Western as a Global Genre

The Western genre’s themes resonate globally, inspiring interpretations in Italy, Japan, and Latin America. Explore how different cultures have adopted and transformed the Western to reflect their unique histories, from Spaghetti Westerns to samurai films and beyond.

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Myth of the West: The Evolution of the Western from Zane Grey to Blood Meridian

Trace the Western genre’s evolution, from its early romanticized tales of frontier life to the gritty realism of modern classics like Blood Meridian. This article provides a comprehensive look at how key authors and filmmakers have redefined the Western myth for new generations and kicks off my “Myth of the West” cycle.

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Exploring the Wilderness: A Comparative Study of Warlock by Oakley Hall, Blood Meridian by Cormac McCarthy, Sorcerer, and Been Down So Long It Looks Like Up to Me by Richard Fariña

This article delves into the uncharted territories of human survival, morality, and existential dread through a comparative analysis of Warlock by Oakley Hall, Blood Meridian by Cormac McCarthy, the film Sorcerer, and Been Down So Long It Looks Like Up to Me by Richard Fariña. Although set in vastly different landscapes and eras—from the lawless American West to the countercultural 1960s and the brutal South American jungle—these works converge on themes of rebellion, chaos, and the limits of human endurance. Through shared influences and resonant themes, this article unravels how each narrative confronts the human struggle for meaning in worlds that seem determined to thwart it.

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Exploring the Intersectionality of Christina Rossetti’s Goblin Market and Cartesian Dualism

Christina Rossetti’s Goblin Market, a richly textured narrative poem, can be interpreted through various critical lenses. One of the most fascinating is the intersectionality between Rossetti’s exploration of temptation, redemption, and duality in Goblin Market, and the philosophy of Cartesian Dualism, a concept popularised by René Descartes. By examining these two seemingly distinct works — a Victorian-era poem and a 17th-century philosophical treatise — we can uncover a deeper discourse on the nature of the body and soul, desire and restraint, and the internal conflicts between mind and body.

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Alan Moore’s Timely Warning on Fandom: A Modern Reflection of Ancient Allegiances

Alan Moore, the legendary author of Watchmen and V for Vendetta, argues that fandom, once a source of passion and community, has become toxic, shaping modern culture and politics in worrying ways. He highlights the entitlement and hostility within today’s fan communities, drawing parallels to historical fandoms—from Roman gladiators to football hooligans—and calls for a return to an uplifting, creative spirit. Moore’s reflections challenge readers to rethink fandom’s role in society and its potential for both unity and division.

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The History of Birmingham Tech Week: A Celebration of Innovation and Collaboration

Since its launch in 2019, Birmingham Tech Week has evolved into a premier event in the UK’s tech scene, celebrating innovation, collaboration, and entrepreneurship. Founded by Yiannis Maos to highlight Birmingham’s tech potential, the event draws tech leaders, startups, and investors to exchange ideas and showcase the region’s growing tech ecosystem. Through the years, Birmingham Tech Week has expanded from a local event to an international platform, with themes ranging from digital transformation and sustainability to diversity and emerging technologies. As the city cements its role in the UK’s tech future, the event continues to foster growth, investment, and collaboration.

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Metallica’s Post-Cliff Era: A “Miserabilist Dirge” of Monotony and Mediocrity

This article critiques Metallica’s post-Cliff Burton era, describing the band’s decline into monotony and mediocrity after their bassist’s tragic death in 1986. The piece argues that while Burton brought dynamism, complexity, and energy to the band’s early work, his loss left Metallica producing slow, plodding, and repetitive music, a “miserabilist dirge” devoid of the fun and rebellion that once defined their sound. It highlights the band’s shift towards commercialism, repetitive riff structures, and melancholic lyrics, contrasting the thrilling chaos of their early thrash days with their later, more self-indulgent and uninspired output.

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