In the violently wacky and vehemently whimsical world of Alan Moore’s characters, DR and Quinch, known for their satirical and bizarre escapades, a stand-out moment is the death of the faux Marlon Brando character. Cleverly bridging the gap between their universe and that of classic Hollywood cinema of the decade before.
Continue reading“Mind the Oranges, Marlon!” Connecting Alan Moore’s DR and Quinch and Coppola’s Ominous Citrus Symbolism in ‘The Godfather’ and Beyond
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