The Western genre has been more than entertainment—it’s served as a powerful tool for American identity and propaganda. Uncover how the Western myth has shaped perceptions of American values, from Manifest Destiny to Cold War patriotism, and how it continues to reflect and critique the nation’s ideals.
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Follow the Western genre’s journey through its decline in the late 20th century to its resurgence in the 1990s and beyond. This article explores why the Western fell out of favour and how filmmakers and authors revitalized it to reflect contemporary values and complexities.
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From the straightforward moral binaries of early Westerns to the complex ethical questions in revisionist films, this article delves into how the Western’s portrayal of justice has evolved. Discover how the Western has responded to shifting societal values, offering insight into the nature of law, order, and justice.
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The Western genre’s themes resonate globally, inspiring interpretations in Italy, Japan, and Latin America. Explore how different cultures have adopted and transformed the Western to reflect their unique histories, from Spaghetti Westerns to samurai films and beyond.
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Trace the Western genre’s evolution, from its early romanticized tales of frontier life to the gritty realism of modern classics like Blood Meridian. This article provides a comprehensive look at how key authors and filmmakers have redefined the Western myth for new generations and kicks off my “Myth of the West” cycle.
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This article delves into the uncharted territories of human survival, morality, and existential dread through a comparative analysis of Warlock by Oakley Hall, Blood Meridian by Cormac McCarthy, the film Sorcerer, and Been Down So Long It Looks Like Up to Me by Richard Fariña. Although set in vastly different landscapes and eras—from the lawless American West to the countercultural 1960s and the brutal South American jungle—these works converge on themes of rebellion, chaos, and the limits of human endurance. Through shared influences and resonant themes, this article unravels how each narrative confronts the human struggle for meaning in worlds that seem determined to thwart it.
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Christina Rossetti’s Goblin Market, a richly textured narrative poem, can be interpreted through various critical lenses. One of the most fascinating is the intersectionality between Rossetti’s exploration of temptation, redemption, and duality in Goblin Market, and the philosophy of Cartesian Dualism, a concept popularised by René Descartes. By examining these two seemingly distinct works — a Victorian-era poem and a 17th-century philosophical treatise — we can uncover a deeper discourse on the nature of the body and soul, desire and restraint, and the internal conflicts between mind and body.
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Alan Moore, the legendary author of Watchmen and V for Vendetta, argues that fandom, once a source of passion and community, has become toxic, shaping modern culture and politics in worrying ways. He highlights the entitlement and hostility within today’s fan communities, drawing parallels to historical fandoms—from Roman gladiators to football hooligans—and calls for a return to an uplifting, creative spirit. Moore’s reflections challenge readers to rethink fandom’s role in society and its potential for both unity and division.
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Since its launch in 2019, Birmingham Tech Week has evolved into a premier event in the UK’s tech scene, celebrating innovation, collaboration, and entrepreneurship. Founded by Yiannis Maos to highlight Birmingham’s tech potential, the event draws tech leaders, startups, and investors to exchange ideas and showcase the region’s growing tech ecosystem. Through the years, Birmingham Tech Week has expanded from a local event to an international platform, with themes ranging from digital transformation and sustainability to diversity and emerging technologies. As the city cements its role in the UK’s tech future, the event continues to foster growth, investment, and collaboration.
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This article critiques Metallica’s post-Cliff Burton era, describing the band’s decline into monotony and mediocrity after their bassist’s tragic death in 1986. The piece argues that while Burton brought dynamism, complexity, and energy to the band’s early work, his loss left Metallica producing slow, plodding, and repetitive music, a “miserabilist dirge” devoid of the fun and rebellion that once defined their sound. It highlights the band’s shift towards commercialism, repetitive riff structures, and melancholic lyrics, contrasting the thrilling chaos of their early thrash days with their later, more self-indulgent and uninspired output.
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