Banksy, the elusive artist-slash-provocateur whose street art inspires breathless headlines, Instagram pilgrimages, and auction house-feeding frenzies. The name alone conjures images of anti-establishment stencils, secretive installations, and shredded canvases that make the art world weak at the knees. But peel back the layers of mystique, and you’ll find an empire built as much on hype and clever PR as artistic merit.

Birmingham: the sprawling metropolis of Spaghetti Junction fame, Brutalist architecture, and canals that definitely outnumber Venice. Once, there was a website called Birmingham It’s Not Shit, a valiant effort to defend the UK’s second city from its critics. With lists of quirky reasons why Birmingham wasn’t as bad as people thought, it tried to elevate the city’s reputation above the perpetual slagging it receives from Londoners, northerners, and basically everyone else.

Oracle—beloved by enterprise IT departments everywhere for its bulletproof reliability, affordable pricing, and impeccable customer service. Wait, who am I kidding? Oracle is the company everyone loves to hate: the heavyweight champion of convoluted licensing agreements, aggressive sales tactics, and overpromised software solutions. Sure, it’s the bedrock of many enterprises, but it’s also a towering monument to corporate tech bollocks.