Tag Archives: Bill

Myth of the West: Women in Westerns… from Side Characters to Central Figures

This article examines the evolving role of women in Westerns, from passive side characters in early classics to empowered protagonists in modern films and literature. Discover how women have moved from the margins to the centre of the Western myth, redefining traditional roles and adding complexity to the genre.

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Myth of the West: Cinematic Landscapes and the American West

Discover the importance of landscape in Western cinema, where the vast, untamed wilderness of the American West acts as a character in itself. From Monument Valley to desolate deserts, this article delves into how Western filmmakers have used the environment to enhance themes of freedom, isolation, and moral conflict.

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Myth of the West: How the Western Influenced Other Genres

The influence of the Western genre extends far beyond the frontier. This article explores how Western themes, characters, and moral conflicts have shaped genres such as sci-fi, neo-noir, and anime, showing the versatility and enduring appeal of the Western myth.

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Myth of the West: The Western as National Myth and Propaganda

The Western genre has been more than entertainment—it’s served as a powerful tool for American identity and propaganda. Uncover how the Western myth has shaped perceptions of American values, from Manifest Destiny to Cold War patriotism, and how it continues to reflect and critique the nation’s ideals.

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Myth of the West: The Decline and Resurgence of the Western

Follow the Western genre’s journey through its decline in the late 20th century to its resurgence in the 1990s and beyond. This article explores why the Western fell out of favour and how filmmakers and authors revitalized it to reflect contemporary values and complexities.

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Myth of the West: Shifting Perceptions of Morality and Justice

From the straightforward moral binaries of early Westerns to the complex ethical questions in revisionist films, this article delves into how the Western’s portrayal of justice has evolved. Discover how the Western has responded to shifting societal values, offering insight into the nature of law, order, and justice.

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Myth of the West: The Western as a Global Genre

The Western genre’s themes resonate globally, inspiring interpretations in Italy, Japan, and Latin America. Explore how different cultures have adopted and transformed the Western to reflect their unique histories, from Spaghetti Westerns to samurai films and beyond.

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Myth of the West: The Evolution of the Western from Zane Grey to Blood Meridian

Trace the Western genre’s evolution, from its early romanticized tales of frontier life to the gritty realism of modern classics like Blood Meridian. This article provides a comprehensive look at how key authors and filmmakers have redefined the Western myth for new generations and kicks off my “Myth of the West” cycle.

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Exploring the Wilderness: A Comparative Study of Warlock by Oakley Hall, Blood Meridian by Cormac McCarthy, Sorcerer, and Been Down So Long It Looks Like Up to Me by Richard Fariña

This article delves into the uncharted territories of human survival, morality, and existential dread through a comparative analysis of Warlock by Oakley Hall, Blood Meridian by Cormac McCarthy, the film Sorcerer, and Been Down So Long It Looks Like Up to Me by Richard Fariña. Although set in vastly different landscapes and eras—from the lawless American West to the countercultural 1960s and the brutal South American jungle—these works converge on themes of rebellion, chaos, and the limits of human endurance. Through shared influences and resonant themes, this article unravels how each narrative confronts the human struggle for meaning in worlds that seem determined to thwart it.

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Kirillov and Shatov in Dostoevsky’s Demons: Agents of Chaos and Redemption

This article explores the characters Kirillov and Shatov in Fyodor Dostoevsky’s novel Demons through the lens of Voltaire’s four states of belief regarding God. Kirillov, an existential nihilist, believes in asserting his ultimate freedom through suicide, reflecting the state of denying God’s existence and disbelief. Shatov, a former revolutionary turned conservative, embodies the search for spiritual and national identity, fitting the state of believing in God’s existence. Their interactions with other characters, particularly Stavrogin and Verkhovensky, highlight the novel’s critique of political extremism and the profound impact of personal beliefs on individual destinies. Through these contrasting characters, the article delves into Dostoevsky’s exploration of existential themes and the human condition.

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