What began as an exploration of two strange non-songs, “Apes Ma” and “Fitter Happier”, quickly unfolded into something larger: a meditation on memory, loss, defiance, and the strange work of sound in the spaces where meaning breaks down.

This tetralogy gathers three connected essays and the one you are reading now, not as conclusions, but as echoes. Not as closures, but as signals still carrying across time.