Tag Archives: Bill Horkan

Myth of the West: Shifting Perceptions of Morality and Justice

From the straightforward moral binaries of early Westerns to the complex ethical questions in revisionist films, this article delves into how the Western’s portrayal of justice has evolved. Discover how the Western has responded to shifting societal values, offering insight into the nature of law, order, and justice.

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Myth of the West: The Western as a Global Genre

The Western genre’s themes resonate globally, inspiring interpretations in Italy, Japan, and Latin America. Explore how different cultures have adopted and transformed the Western to reflect their unique histories, from Spaghetti Westerns to samurai films and beyond.

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Myth of the West: The Evolution of the Western from Zane Grey to Blood Meridian

Trace the Western genre’s evolution, from its early romanticized tales of frontier life to the gritty realism of modern classics like Blood Meridian. This article provides a comprehensive look at how key authors and filmmakers have redefined the Western myth for new generations and kicks off my “Myth of the West” cycle.

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Exploring the Wilderness: A Comparative Study of Warlock by Oakley Hall, Blood Meridian by Cormac McCarthy, Sorcerer, and Been Down So Long It Looks Like Up to Me by Richard Fariña

This article delves into the uncharted territories of human survival, morality, and existential dread through a comparative analysis of Warlock by Oakley Hall, Blood Meridian by Cormac McCarthy, the film Sorcerer, and Been Down So Long It Looks Like Up to Me by Richard Fariña. Although set in vastly different landscapes and eras—from the lawless American West to the countercultural 1960s and the brutal South American jungle—these works converge on themes of rebellion, chaos, and the limits of human endurance. Through shared influences and resonant themes, this article unravels how each narrative confronts the human struggle for meaning in worlds that seem determined to thwart it.

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Kirillov and Shatov in Dostoevsky’s Demons: Agents of Chaos and Redemption

This article explores the characters Kirillov and Shatov in Fyodor Dostoevsky’s novel Demons through the lens of Voltaire’s four states of belief regarding God. Kirillov, an existential nihilist, believes in asserting his ultimate freedom through suicide, reflecting the state of denying God’s existence and disbelief. Shatov, a former revolutionary turned conservative, embodies the search for spiritual and national identity, fitting the state of believing in God’s existence. Their interactions with other characters, particularly Stavrogin and Verkhovensky, highlight the novel’s critique of political extremism and the profound impact of personal beliefs on individual destinies. Through these contrasting characters, the article delves into Dostoevsky’s exploration of existential themes and the human condition.

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The Master and Margarita: Unveiling a Literary Masterpiece’s Historical Tapestry

Explore the intricate layers of “The Master and Margarita,” a novel that masterfully blends satire, fantasy, and profound social critique. Set against the backdrop of Stalinist Moscow, this article dives deep into the history and challenges faced by its author, Mikhail Bulgakov, offering readers an enriched understanding of the novel’s genesis and its enduring relevance. Journey through the novel’s portrayal of power, love, and human resilience, and discover why it remains a timeless reflection of society’s complexities.

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