The Syd Barrett Hypothesis: Ground Zero for Pink Floyd’s Musical Genius

This article explores the profound and lasting influence of Syd Barrett on Pink Floyd’s music. Using the innovative “Candy and a Currant Bun” test, we analyze every track in the band’s catalogue, revealing that most of their greatest songs, whether created by, about, or in reaction to Barrett, stem from his unique genius. With data-backed insights, vivid imagery, and a fresh perspective on Barrett’s foundational role, this piece redefines how we view Pink Floyd’s legacy, proving that Barrett was not just a fleeting presence but the creative epicentre of their evolution.

It’s impossible to discuss Pink Floyd without acknowledging the indelible impact of Syd Barrett, the band’s original frontman, songwriter, and the architect of its early sound. Barrett’s influence resonates not only in the tracks he contributed to but across Pink Floyd’s entire discography, even years after his departure. A compelling argument can be made: the majority of Pink Floyd’s best music is either created by, about, or as a reaction to Syd Barrett.

To prove this theory, we can use what I’ve coined the “Candy and a Currant Bun” test—a simple but effective measure of whether a song can be considered superior to one of Pink Floyd’s earliest (and rather simplistic) songs, “Candy and a Currant Bun.” While the choice of “Candy and a Currant Bun” as a baseline is inherently subjective, its simplicity and lack of complexity make it an ideal reference point for evaluating Pink Floyd’s more ambitious works. This test, while subjective, provides a consistent baseline from which we can objectively assess the quality of the band’s catalogue. By comparing each track to this early tune, a pattern emerges: the vast majority of Pink Floyd’s most celebrated tracks are either directly linked to Syd Barrett or inspired by the search for their own sound in the aftermath of his influence.

The Case for Syd Barrett as Ground Zero

To understand why Syd Barrett is the “ground zero” of Pink Floyd’s musical evolution, we need to examine how the band’s songs fall into distinct categories of influence:

  1. Category 1: Syd Barrett sings, plays, or writes the song. These are the tracks from the band’s debut album and early singles that feature Syd directly. Songs like “Astronomy Domine” and “Bike” are quintessential examples of Barrett’s influence during Pink Floyd’s formative period.
  2. Category 2: Songs written about Syd Barrett. These emotionally charged tracks often reflect the band’s anguish over Barrett’s departure and mental decline. “Shine On You Crazy Diamond” and “Wish You Were Here” are prime examples.
  3. Category 3: Attempts to “out-Syd Syd” in terms of psychedelia. After Barrett’s exit, Pink Floyd continued to experiment with the psychedelic style he pioneered, often pushing it further into uncharted territory. Tracks like “Set the Controls for the Heart of the Sun” and “Careful with That Axe, Eugene” fit this category.
  4. Category 4: Reactions to Barrett’s influence, as the band tries to establish their own musical identity. Albums like MeddleThe Dark Side of the Moon, and Animals are filled with tracks where the band defines their style, but always within the looming shadow of Barrett’s original vision.
  5. Category 5: Songs with no relation to Syd Barrett. Though these tracks may be great in their own right, they lack the depth or influence that Syd’s presence (or absence) imprinted on the band’s most impactful work.

Who’s in the Band?

Who’s on them – Categorised as:

  • Group A: Syd Barrett, Roger Waters, Nick Mason, Richard Wright.
  • Group B: Roger Waters, David Gilmour, Nick Mason, Richard Wright.
  • Group C: Roger Waters, David Gilmour, Nick Mason (without Richard Wright).
  • Group D: David Gilmour, Nick Mason, Richard Wright (without Roger Waters).
  • Group E: David Gilmour, Nick Mason (without Richard Wright or Roger Waters).

The Candy and a Currant Bun Test

Now, let’s apply the “Candy and a Currant Bun” test to Pink Floyd’s catalogue. The premise is simple: is this song better than “Candy and a Currant Bun”? If it is, it likely belongs in one of the first four categories—meaning that it was either created by, about, or as a reaction to Syd Barrett.

Getting Empirical

Below is a comprehensive table that lists every track from Pink Floyd’s studio albums, categorized by its relationship to Barrett and evaluated against the Candy and a Currant Bun test:

AlbumSongCategoryWho’s on themBetter than “Candy and a Currant Bun”
The Piper at the Gates of Dawn (1967)Astronomy Domine1Group AY
Lucifer Sam1Group AY
Matilda Mother1Group AY
Flaming1Group AY
Pow R. Toc H.1Group AY
Take Up Thy Stethoscope and Walk5Group AN
Interstellar Overdrive1Group AY
The Gnome1Group AY
Chapter 241Group AY
The Scarecrow1Group AY
Bike1Group AY
A Saucerful of Secrets (1968)Let There Be More Light3Group AY
Remember a Day4Group AY
Set the Controls for the Heart of the Sun3Group AY
Corporal Clegg2Group AN
A Saucerful of Secrets4Group AY
See-Saw4Group AN
Jugband Blues1Group AY
More (1969)Cirrus Minor5Group BY
The Nile Song5Group BY
Crying Song5Group BN
Up the Khyber5Group BN
Green Is the Colour4Group BY
Cymbaline5Group BY
Party Sequence5Group BN
Main Theme5Group BN
Ibiza Bar5Group BN
More Blues5Group BN
Quicksilver5Group BN
A Spanish Piece5Group BN
Ummagumma (1969)Astronomy Domine (Live)1Group BY
Careful with That Axe, Eugene (Live)3Group BY
Set the Controls for the Heart of the Sun (Live)3Group BY
A Saucerful of Secrets (Live)4Group BY
Sysyphus5Group BN
Grantchester Meadows2Group BY
Several Species of Small Furry Animals Gathered…3Group BN
The Narrow Way4Group BY
The Grand Vizier’s Garden Party5Group BN
Atom Heart Mother (1970)Atom Heart Mother (suite)4Group BY
If4Group BY
Summer ’684Group BY
Fat Old Sun4Group BY
Alan’s Psychedelic Breakfast3Group BY
Relics (1971)Arnold Layne1Group AY
See Emily Play1Group AY
Paint Box4Group AN
Remember a Day4Group AY
Careful with That Axe, Eugene3Group BY
Cirrus Minor5Group BY
The Nile Song5Group BY
Biding My Time4Group BY
Bike1Group AY
Meddle (1971)One of These Days4Group BY
A Pillow of Winds5Group BN
Fearless5Group BY
San Tropez5Group BN
Seamus5Group BN
Echoes4Group BY
Obscured by Clouds (1972)Obscured by Clouds5Group BN
When You’re In5Group BN
Burning Bridges5Group BY
The Gold It’s in the…5Group BN
Wot’s… Uh the Deal5Group BY
Mudmen5Group BN
Childhood’s End5Group BY
Free Four4Group BY
Stay5Group BN
Absolutely Curtains5Group BN
The Dark Side of the Moon (1973)Speak to Me5Group BN
Breathe (In the Air)5Group BY
On the Run5Group BY
Time5Group BY
The Great Gig in the Sky5Group BY
Money5Group BY
Us and Them5Group BY
Any Colour You Like5Group BY
Brain Damage2Group BY
Eclipse5Group BY
Wish You Were Here (1975)Shine On You Crazy Diamond (Parts I-V)2Group BY
Welcome to the Machine2Group BY
Have a Cigar4Group BY
Wish You Were Here2Group BY
Shine On You Crazy Diamond (Parts VI-IX)2Group BY
Animals (1977)Pigs on the Wing (Part 1)5Group BY
Dogs5Group BY
Pigs (Three Different Ones)5Group BY
Sheep5Group BY
Pigs on the Wing (Part 2)5Group BY
The Wall (1979)In the Flesh?4Group BY
The Thin Ice4Group BY
Another Brick in the Wall (Part 1)4Group BY
The Happiest Days of Our Lives4Group BY
Another Brick in the Wall (Part 2)4Group BY
Mother4Group BY
Goodbye Blue Sky4Group BY
Empty Spaces4Group BY
Young Lust4Group BY
One of My Turns4Group BY
Don’t Leave Me Now4Group BN
Another Brick in the Wall (Part 3)4Group BY
Goodbye Cruel World4Group BN
Hey You4Group BY
Is There Anybody Out There?4Group BY
Nobody Home4Group BY
Vera2Group BY
Bring the Boys Back Home4Group BN
Comfortably Numb4Group BY
The Show Must Go On4Group BY
In the Flesh4Group BY
Run Like Hell4Group BY
Waiting for the Worms4Group BY
Stop4Group BN
The Trial4Group BY
Outside the Wall4Group BN
The Final Cut (1983)The Post War Dream5Group CN
Your Possible Pasts5Group CN
One of the Few5Group CN
The Hero’s Return5Group CN
The Gunner’s Dream5Group CN
Paranoid Eyes5Group CN
Get Your Filthy Hands Off My Desert5Group CN
The Final Cut5Group CN
Not Now John5Group CN
Two Suns in the Sunset5Group CN
A Momentary Lapse of Reason (1987)Signs of Life5Group DY
Learning to Fly5Group DY
The Dogs of War5Group DY
One Slip5Group DY
On the Turning Away5Group DY
Yet Another Movie5Group DY
A New Machine (Part 1)5Group DN
Terminal Frost5Group DN
A New Machine (Part 2)5Group DN
Sorrow5Group DY
The Division Bell (1994)Cluster One5Group DY
What Do You Want from Me5Group DY
Poles Apart2Group DY
Marooned5Group DY
A Great Day for Freedom5Group DY
Wearing the Inside Out5Group DY
Take It Back5Group DY
Coming Back to Life5Group DY
Keep Talking5Group DY
Lost for Words5Group DY
High Hopes5Group DY
The Endless River (2014)Things Left Unsaid5Group EN
It’s What We Do5Group EN
Ebb and Flow5Group EN
Sum5Group EN
Skins5Group EN
Unsung5Group EN
Anisina5Group EN
The Lost Art of Conversation5Group EN
On Noodle Street5Group EN
Night Light5Group EN
Allons-y (1)5Group EN
Autumn ’685Group EN
Allons-y (2)5Group EN
Talkin’ Hawkin’5Group EN
Calling5Group EN
Eyes to Pearls5Group EN
Surfacing5Group EN
Louder Than Words5Group EY

Highlight Key Data Insights

Based on the data:

  • Total Songs Analyzed: 164
  • Songs Better than “Candy and a Currant Bun”: 104
  • Songs in Categories 1–4 Better than “Candy and a Currant Bun”: 64 (61.54%)
  • Songs in Category 5 Better than “Candy and a Currant Bun”: 40 (38.46%)

The table reveals significant insights into the relationship between Syd Barrett’s influence and the quality of Pink Floyd’s music. Among the 164 songs analyzed, 104 were deemed better than “Candy and a Currant Bun.” Notably, 64 of these (61.54%) belong to Categories 1–4, underscoring Barrett’s foundational role in the band’s creative evolution. These categories represent songs directly connected to Barrett—either through his contributions, songs written about him attempts to emulate his style, or reactions to his influence.

In contrast, only 40 songs in Category 5 (38.46%), those with no connection to Barrett—surpassed the baseline. This demonstrates a clear trend: songs tied to Barrett are statistically more likely to achieve a higher standard of quality. The data provides strong empirical backing for the hypothesis that Barrett’s influence—direct or indirect—served as a creative touchstone for Pink Floyd.

Additionally here’s a slice and dice of the category data.

CategoryTotal SongsBetter than ‘Candy and a Currant Bun’Percentage Better
1 – With Syd1515100
2 – About Syd9888.89
3 – Competes with Syd 7685.71
4 – Reaction to Syd423583.33
5 – Unrelated to Syd914043.96

Conclusion: Syd Barrett as the Epicenter of Pink Floyd’s Legacy

As we can see from the table, most of the songs deemed “better than ‘Candy and a Currant Bun’” fall into one of the first four categories, proving that Syd Barrett’s influence is inescapable in Pink Floyd’s greatest music. Whether the band was writing about him, attempting to emulate his psychedelic genius, or reacting to his absence by developing their own distinct style, Barrett was always at the core of their creativity.

While Pink Floyd evolved over the years and developed iconic albums without Barrett’s direct involvement, his presence—or the lack thereof—served as the creative spark that drove the band to heights of innovation that few others have achieved. In this sense, Syd Barrett truly was the “ground zero” of Pink Floyd, the gravitational centre around which their music orbited.

Though Barrett’s time with the band was tragically cut short, his influence remains integral to understanding why Pink Floyd’s music resonates as deeply today as it did decades ago. Even as the band’s sound evolved with albums like The Dark Side of the Moon and Wish You Were Here, the creative sparks ignited by Barrett’s presence continued to shape their identity, proving that his influence transcended his time with the band. The Candy and a Currant Bun test highlights this enduring legacy: Syd Barrett’s music isn’t just good; it’s foundational.

In the end, Pink Floyd’s best work, their most memorable albums, and their most defining songs all trace back to the origin point of Syd Barrett. Whether directly or indirectly, he is the axis upon which their creative world turned.